A rush of a morning, had a 7am call time in Brooklyn Heights for a photo shoot with a young, British It Girl/Actress. I’m one of two assistants to the stylist. This is one of my several gigs. This, the diner and the occasional odd job. The best part of this gig is being on set, and meeting new people. The worst part is running my ass all over town picking clothes up, then scrambling to return them all in one day. The other part I’m not so crazy about is how often I write the word Critical or Urgent in email subjects, and always signing with ASAP, i.e., “Lina really loves looks 37, 48 and the hat in look 12. It is Critical we get these by X date, we need your reply ASAP.”
On set, it’s different. There isn’t much more to do than flirt with the photo assistants and make sure the stylist has what they need: pins, lint roller, double-sided tape, the occasional shoelace. “I went to college for this!” I recently thought to myself, as I tied the sneakers of a grown, male model.
I arrive at the location, a large townhouse in Brooklyn Heights with an ample lawn (by Brooklyn standards). A vintage, navy blue – freshly painted – Cinquecento is parked in front. The photo crew is already there, as is It Girl and her co-star – a young, budding talent of a spider monkey. This hairy ingenue has a handler and is – no joke – eating a banana from the handler’s shoulder when I arrive. I say a quick hello as I make my way to the trailer. No need for introductions – on the totem pole of who anyone should care to meet today, I am decidedly on the bottom; even the monkey outranks. I share that space with my fellow assistant for the day and the days of prep leading up to this one, an acerbic, know-it-all named Carl. However, Carl is trying his best to surpass me at every opportunity. We share a mutual friend.
“Carl belongs to my bitchy ’gaisian’ crew,” the mutual friend warned.
He quickly takes to bossing me around on set, which I am too tired and indifferent to protest.
“Katy wants the striped Louboutins; Katy wants the black cashmere pull.”
Crap like that.
I knew what he was doing, but I didn’t care to go to battle. Not for this day rate.
“Oh, my. Oh, my gawd, he just . . . is it? Is it what I think?”
I pop my head around the corner of the bathroom door to see what the commotion is. I discover our actress in a tub with that monkey on her back. Her face is contorted in a look of disgust and amusement. The monkey has just piddled (her word, not mine) down her back.
A long and anxious silence waves across the crew. Then our girl laughs, so everyone sighs, relief and laughter pass over us. She’s a good sport. I guess that’s why she gets paid the big bucks.
Finally, with the last shot underway, I head to the trailer to pack up. On my way, I stop at the catering table and toss a quick cheese cube and cherry tomato in my mouth. At this precise moment, Carl walks up.
“Sophi! Stop eating, we have to hurry.”
I freeze and feel my face warm.
“I can’t believe you are eating right now, there’s so much to pack up.”
I’m mortified. I try to answer but am stunned silent. Jeezus, I was just fueling up before the packing.
My embarrassment turns to anger, and I start to wonder if his mother policed his eating as a kid. We pack up together in relative silence.
Needless to say, Carl is going to tell Katy that I was slacking off and eating cheese cubes on the job, a particularly egregious sin in fashion, even if you aren’t the talent. Katy is never going to book me again.
I just don’t know if I’m cut out for this: fashion game, city life, adulthood. But, I’m trying to be a good sport.
Home now. Tired and feeling lame, dejected. My dad called, and I told him so.
“That is exactly how you should feel. That is where the inspiration comes from.”
I knew he’d say that though, he always has an answer. Our calls are more frequent than ever lately, a comfort for us both right now.
Early shift at the diner tomorrow. Night.

Far too much Sherry. I never even drank the stuff before last night. Tastes like an old box of raisins, but boozy. I like it. I think.